BT高清网为您提供2020年由未知主演,拉贾特·卡普尔导演的《RK还是R KAY》/原名《RK/R KAY》/又名《RK/RKAY》剧情电影在线观看完整版,《RK还是R KAY》百度云网盘资源以及《RK还是R KAY》高清蓝光mp4迅雷下载，《RK还是R KAY》BT下载资源，希望您能喜欢！
RK正在拍摄他自导自演的电影，他饰演的男主角名叫曼波。一天下午，RK从剪辑师打来的电话中得知了一件很糟糕的事情。曼波从电影里“出走”了，所有素材画面和电影负片里的曼波都消失得无影无踪。事实上，故事里的曼波只是想逃开杀手的追捕，却意外地离开了故事进入了现实世界。RK找到了他所扮演的曼波，可曼波并不知道他其实并不存在于这个世界。为了让RK顺利完成电影的拍摄，剧组想尽一切办法想要告诉曼波真相，并试图说服他回到虚拟的故事里。导演：拉贾特·卡普尔
主演：未知
Plot Summary:RK is a filmmaker, making a new film, in which he also plays the lead character of Mahboob. Its a quaint film, like a tribute to the cinema of the sixties. People close to him are not really sure why RK wants to make this film.. Edit begins and RK has a sinking feeling that this film is not going to come together, that this time he has really screwed up. His nightmares warn him of an impending disaster. Sure enough, one afternoon RK gets a call from the edit room- something terrible has happened. Mahboob has run away, run out of the film. Nobody can really understand why would he leave, where would he go. But he is not there anymore in the rushes- missing from the film negative as well. The fact is Mahboob was running away from his killers, and somehow he left the film and arrived in our world. RK finds him, brings him home- but Mahboob has no idea where he is from, or that he is any different from people around him. Slowly, he is told. They must convince him to go back to the film, so that RK can finish his film.
@2020-08-02 18:57:59
幻想一个理想的你，然后用那个幻想的你替换现实心如死灰的自己。荧幕中的主角在哪都打着正面的光，亦如我们心中那个无畏地追求真爱，生活乐观积极的形象。马布的出现是导演的心理治疗过程（梦境里有出现“第一阶段”的台词，来自塔罗牌巫师）向往电影中的生活，对现实心如死灰的心理疾病；最后有无胡子的形象统一到了现实的有胡子，马布的红袜子也留下了，可以是两个形象的结合。
#2020上海电影节第十三部# 中午吃多于是睡着了。。。总的来说故事还是挺有趣的，抖包袱也抖的不错，前排有一个印度女观众笑得前仰后合，看来非常符合印度人口味。电影与真实世界的虚实大概是所有创作者都想探讨的问题吧，最后被自己创作的角色所替代颇有点假借创作逃避现实之感。
电影节最后一天的惊喜！《RK不是RKAY》这部片名就让人摸不着头脑的印度电影令人耳目一新，一扫印度只有歌舞片和最近流行的现实题材的印象，这是一部探讨导演、编剧创作困境的电影，用了大胆的想象力和创新的手法，甚至有点先锋性，讲述了被导演塑造出来的角色不满意自己被写的那个死去的结局，他跳出屏幕与导演对抗试图扭转改变自己命运的，奇幻又搞笑，意趣横生，当角色与导演的面对面时（其实是同一个人的两面），双方对话充满机锋，严密又不乏诙谐幽默，峰回路转的、反转的结尾戛然而至更让观者回味无穷并感觉丝丝寒意，高！
编剧可以谱写出千百种他人，却往往无法写好自己这一本书。当创造的灵魂与现实的灵魂激烈碰撞，擦出的是内心的审视和反省，那么就过着剧本中完美的角色人生吧，反正虚拟与现实本就界限模糊。
尤其明确的创作焦虑 常说角色活在纸上而如果角色活在现实中创作者是应当将其当作傀儡还是保持其被赋予的独立人格//并且创作者如何平衡真实生活和创作生活//角色的可爱之处往往在于虚构的性格与精巧的台词//但感觉一整个故事讨论深度不够 娱乐性较好 人似乎总是更期待另一个完全贴心的人来温暖自己在这时“现实”就变得不重要了//#论怎样快速惹怒一个“有艺术追求”的导演 “it’s just a film. ”