关键词：Jonathan Rescigno Strike or Die 纪录片
BT高清网为您提供2020年由未知主演,Jonathan Rescigno导演的《罢工或咽气》/原名《Grève ou crève》/又名《Strike or Die》纪录片电影在线观看完整版,《罢工或咽气》百度云网盘资源以及《罢工或咽气》高清蓝光mp4迅雷下载，《罢工或咽气》BT下载资源，希望您能喜欢！
In his hometown, a former industrial site in Lorraine, Jonathan Rescigno follows individual people and draws loose connections between their stories. Two friends, sons of Arab immigrants, pass their time idling at local fairs and discos. Another man donates smoke grenades and helmets to the mining museum, mementoes of miners’ strikes in the 1980s and ‘90s. Another has had an accident at work and doesn’t know how to respond to the false statements his boss has put in the insurance report. An older coach works with young boxers, training them for a fight. Archive video material showing the escalating mining strikes separates these narrative threads. Little by little, relationships develop between the individual stories, with questions emerging about labour struggles, solidarity and the shifting meanings of these terms in the present day. Clouds of mist pass through the film again and again: across workers’ estates, through the museum, past the one-time headquarters of the mine. Is the struggle over, or it is still smouldering? Or is something altogether new gathering on the horizon?主演：未知
Plot Summary:In his hometown, a former industrial site in Lorraine, Jonathan Rescigno follows individual people and draws loose connections between their stories. Two friends, sons of Arab immigrants, pass their time idling at local fairs and discos. Another man donates smoke grenades and helmets to the mining museum, mementos of miners' strikes in the 1980s and '90s. An older coach works with young boxers, training them for a fight. Archive material showing the escalating mining strikes separates these narrative threads. Little by little, relationships develop between the individual stories, with questions emerging about labour struggles, solidarity and the shifting meanings of these terms in the present day. Clouds of mist pass through the film again and again: across workers' estates, through the museum, past the back then headquarters of the mine. Is the struggle over, or it is still smouldering? Or is something altogether new gathering on the horizon?
