关键词：阿克坦·阿布德卡雷科夫 Кентавр 剧情
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Centaur lives a modest life with his family in rural Kyrgyzstan until he abruptly becomes the center of attention when he is caught stealing a racehorse at night. A story inspired by the myth when horses became the wings of men.导演：阿克坦·阿布德卡雷科夫
Plot Summary:Centaur is a quiet, small and modest man, a loving father of a little boy that has never spoken a word and the husband of young, deaf-mute Maripa. Together they lead a simple life in a small village of Kyrgyzstan. Centaur is above all a respected man among his neighbors, a man beyond any suspicion, but he has a belief deeply rooted inside him. He still believes that Kyrgyz people once united and invincible thanks to their horses, have been punished by Heavens for misusing that power to achieve their mercenary goals; Beyond any suspicion, Centaur becomes a horse thief, as he thinks only a genuine racer riding at night and praying for forgiveness can write off the curse. But his well-hidden secret cannot be kept for long. When the truth shines, he will need to decide the destiny of his family, co-villagers and his own.
把古老的图腾当作精神文明的信仰感觉是求得不了现当代精神困境的解答的。好处是它确实不是一个猎奇的视角，坏处是他们似乎永远也找不到解答了。所有的结果指向了平和而不会改变的生活，接纳所有一切，挺钝的。
一个因为民族信仰而被时代抛弃的人，不免让人想起鄂温克族想起维佳和柳霞，不管你愿不愿意还是会被裹挟着！结局是个人觉得是好的。以另一种方式获得灵魂的自由，不用痛苦的和这个时代和解！吉尔吉斯坦的树先生。
225/600 作为电影来讲，不是一部好电影，但是作为信仰来讲，挺好，不忘根，几近疯狂！
+，足以满足我们对中亚想象的、富有生命力的呐喊，其实与东方主义陷阱只是一线之隔。但至少在本片中，阿克坦找到了《猩仔十七岁》时还生涩的、第六代导演所失去的人的图景。
无字
4.0分。朴素，但不失情绪。关于“根”的追寻本身就很触动人。
结尾突然来意大利语的对镜独白，想起阿玛柯德了。