关键词：小津安二郎 Nagaya shinshiroku Record of a Tenement Gentleman 剧情
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第二次世界大战结束后，曾经的大都会东京放眼望去一片疮痍，破败凄凉。在穷苦百姓聚集的长屋街，活不容易活下来的人们用勤劳的双手重新修缮自己的生活，他们团结一心，向往美好的未来。某天，田代领回来一个名叫幸平（青木放屁 饰）的男孩。幸平的父母双双死于战火，他一个人孤苦伶仃，朝不保夕。虽然善良的人们都很同情幸平的遭遇，可是维持自身的生计已然勉强，如何再应付新添的一张嘴呢？几经合计，田代决定将幸平托付给经营店铺的老板娘阿胤（饭田蝶子 饰）。然而阿胤由于自身的痛苦经历，对孩子表现出抗拒厌恶的态度。不过随着时间的流逝，她心底的温柔母性慢慢地苏醒过来……导演：小津安二郎
Plot Summary:A young boy follows Tashiro home to his tenement housing complex on the outskirts of Tokyo, the boy who was separated from his carpenter father somehow and somewhere in Kudan. All Tashiro knows is that the boy and his father came to town from Chigasaki that morning. Despite Tashiro's want to house the kid until they decide what to do more permanently, Tashiro's roommate, Tamekichi, the tenement's head, won't let the kid stay, not liking children and not wanting to get involved. So Tashiro foists the kid onto their neighbor, the widowed Tane, who too protests, she also not liking children and not wanting to get involved. Tane treats the boy with disdain, which only increases by the next morning due to an overnight incident. Amongst the tenement residents, Tane is charged with going to Chigasaki to see if she can find the father or find out what happened to him. On that trip, what she learns by putting the pieces of the story together is that the father purposefully abandoned the boy as...
善行明明是好心女士做的，结果片名叫“绅士”，真是无语。小津电影就是包装精美的男权狗屎
这部应该是小津最直接展现其作品内在情感的电影了。缓慢的节奏与永远没转调的和式bgm，总是莫名给我巨大的感动；再配上这样一个纯粹的故事……
刚刚得到旋即又失去的亲情。主人公在这个过程中习得了对弱小者无条件的爱。之前读过一篇端的文章讲现在的人们越来越「恐童」，就是讲社会失去了对需要被照顾者的耐心。影片结尾的喷泉周围有不少流浪儿童，也许战后的日本也曾面临类似的社会情绪。
简单，简洁，以至于让你可以猜到下面的情节和故事结局，可是你还是欲罢不能，坚持看到底，这就是小津安二郎的本事。
女主和闺蜜在一起的每一幕都很温馨可爱🥺
朴素简单
7分，小津从战俘营归国后拍的第一部电影，描写了战后日本的简陋，萧条，但并没直接对战争进行批评。这是和小津合作最多的女演员饭田碟子极少做为主演的电影，里面的小主演叫“青木放屁”，这个名字的由来就是因为经常在片场放屁，之后在小津《风中的母鸡》和《晚春》中也有出演。