BT高清网为您提供1988年由大卫·霍克尼主演,菲利普·哈斯导演的《与中国皇帝的大运河一日游,或曰表面即错觉而深度亦然》/原名《A Day on the Grand Canal with the Emperor of China or: Surface Is Illusion But So Is Depth》纪录片电影在线观看完整版,《与中国皇帝的大运河一日游,或曰表面即错觉而深度亦然》百度云网盘资源以及《与中国皇帝的大运河一日游,或曰表面即错觉而深度亦然》高清蓝光mp4迅雷下载,《与中国皇帝的大运河一日游,或曰表面即错觉而深度亦然》BT下载资源,希望您能喜欢!
《康熙南巡图》,这幅著名的中国卷轴画描绘了康熙皇帝在1689年第二次访问他的南方帝国。这幅画是由王翚(1632-1717)和他的助手们创作的。霍克尼将这幅画卷更流畅的空间描绘与后来由徐阳和他的助手——乾隆皇帝南巡(1764-1770)——绘制的画卷《乾隆南巡图》进行了对比。导演:菲利普·哈斯
主演:大卫·霍克尼
Plot Summary:This famous Chinese scroll painting traces the Emperor Kangxi's second tour of his southern empire in 1689. Painted by Wang Hui (1632-1717) and assistants, it was executed before Western perspective was introduced into Chinese art. Hockney contrasts the more fluid spatial depictions of this scroll with a later scroll painted by Xu Yang and assistants, The Qianlong Emperor's Southern Inspection Tour (1764-1770), scroll four. This scroll illustrates the same tour, but now taken by the Qianlong emperor, grandson of the Kangxi emperor. Influenced by Western perspective, the Qianlong scroll presents the emperor in a single tableau, whereas the Kangxi scroll depicts a continuous travel narrative filled with details of daily life in the towns and countryside along the route. Reference is also made to the use of perspective in Capriccio: Plaza San Marco Looking South and West (1763) by Italian painter Canaletto (1697-1768).Director Philip Haas (Angels and Insects and Up at the Villa), and ...
看大卫霍克尼北京的展览之前看这个收获很大。
卷轴画是一种没有通常意义上的边界的绘画,移步换景,不同perspective的房屋走向和桥梁走向在同一个聚焦点的复数呈现,组成一种完美的秩序感,我们在古埃及的绘画中也能找到类似的处理。西方绘画的文艺复兴空间更加符合摄像机能拍摄到的场景,但照片的胶卷本身也是卷起来的,像卷轴一样,人物并未按照距离远近缩放……
Hockney在卡纳莱托前看王翬。虽然为了对比出徐阳那幅的僵硬,Hockney用时间感这样的描述来引申王翬笔下人物衣袖笔法,在我听来是nonsense,但是最后五分钟还是有些启发。卡纳莱托与王翬与徐阳的两两对比,提及15世纪意大利画家对灭点的发现与军事科技之间的联系(大炮的精确度,三角测量法),最终将落点拖进中华帝国的由盛转衰,这个结语还是点亮了平平的前部。
要重看的。
david hockney就是那种说一句能点醒很多事的人
David Hockney in person. w/ Valance, Double, Laisheng. @WRT
https://vimeo.com/103808381